Here is a warm welcome to another wonderful Citizen of the World, Ella Fitzsimmons…
Held at the comically WASPy Yale Club, Cambridge University in New York’s “A conversation with James Wood and Joseph O’Neill” narrowly escaped being a love-fest between the critic and the PEN/Faulkner award winner.
No stranger to controversy, famed critic Wood spoke appreciatively of O’Neill’s novel, while pleasantly but firmly defending his views on literature, notably under fire from the likes of Zadie Smith and literary magazine (n +1).
Wood’s approach to literary criticism has been described as ‘aesthetic’ and ‘unideological’ , a classification appreciatively re-iterated by O’Neill. (Though surely not having an ideology is an ideology??). Agreeing, Wood seemed bewildered by the fact that he’s seen as the standard bearer for Realism in contemporary fiction.
Netherland has been caught in the crossfire between Wood and Smith. O’Neill was surprised by the appearance of Smith’s piece about Netherland in The New York Review of Books in November, as the magazine had already reviewed the book. “Then someone told me ‘You know she’s only getting at James Wood, right?” O’Neill smiled.
Nevertheless, O’Neill, a former lawyer, claimed to be pleased by the ‘multiple entrances to the book’. (A small part of my cynical heart suspected that he was pleased by the controversy. But he seems like a nice guy, so I’m trying to be good about it.)
Emphasizing that he did not try to re-write The Great Gatsby, O’Neill admitted that halfway through the seven year slog that went in to Netherland, he recognized parallels between it and Fitzgerald’s masterpiece. A tacit agreement with Wood’s reading of the book as a work of post-colonial fiction, rather than a “post- 9/11” novel, perhaps?