A.M. Holmes, Stop Me If You’ve Heard This, Ben Greenman
Yesterday evening, after pulling up with difficulty and enjoying a coffee and croissant at Choice, I managed to get a lot of actual work done, including the business of editing and writing. By 6:30, still somehow awake, I stumbled uptown to the Guggenheim to catch a reading by A.M. Holmes.
Who is A.M. Holmes you ask? Let’s start with our meeting. It was in the basement of the Guggenheim. After the reading inside one of the Catherine Opie galleries, which was very intimate and populated primarily by curators and other museum staff. Holmes read from her ‘fiction to accompany art’. This is a genre of her writing, which in this case was related to Catherine Opie, and which in the past has been applied to Ghada Amer, Cecily Brown, Rachel Whiteread and several other artists. After she read from the Opie story, there was a quick shy Q& A. My favorite quote from her was: “Contemporary life to me is kind of surreal, reality seems less and less applicable to me lately.” Next, we few remaining members of the public were ushered down to the basement for a wine and cheese reception. Out of the maybe 10 people who were now huddled in the basement, A.M. was surrounded by 4 of the head curators, in other words not easily accessible. Brazen with exhaustion, I decided to approach her for a quick Hi anyway. She shook my hand and thanked me for coming, “No, thank you I responded.” The conversation was quite simply, over… (!)
Ah well, now that she is on my radar, when next we speak, perhaps the discussion can extend to matters such as, her stint as an L-word writer, the several acclaimed novels she has written and her most recent work, a memoir entitled, The Mistresses Daughter. I might ask her about her rumored bisexuality (leave Brittney alone! I mean Lindsay), or how she makes the transition back and forth between writing fiction and art and literary criticism. I’d ask her for some advice probably.
One liners aren’t that terrible though, or so says Stop Me If You’ve Heard This. My review of that book recently came out in Boldtype. Here is a snippet:
“Stop Me If You’ve Heard This reads like a tall tale. In fact, it’s what Jim Holt might call a “long joke,” which, unlike a one-liner, could take an hour to tell. Holt strings the reader along, extending incredulity and curiosity, as he offers unlikely tidbits about the history and philosophy of jokes through detail-rich, well-delivered narration. No matter how preposterous some of it may seem, it is safe to assume this veteran reporter of both the BBC and the New Yorker is faithful to the facts. Holt discusses joke collectors and humor philosophers including such characters as G. Legman, the man who invented the vibrating dildo and coined the Phrase “Make Love, Not War.”” More
Finally, again on the lit tip, today I went to the launch of Ben Greenman’s new book at the Tenement Museum (GL). Decidedly more approachable, Greenman remembered me from the last time we met. I also got to see Fly, who was fascinating as always, and spoke to a few new and interesting writer/editor/publisher types. I would love to delve into the content of Greenman’s new book, oh and I will, but now I must sleep. Suffice it to say that it is a Luddite limited edition letter writing book project…more to come.
This entry was posted on November 7, 2008 at 6:23 am and is filed under art, Book, Guide to What's Good with tags A.M. Holmes, art, Ben Greenman, bisexuals, Book, Brooklyn Socialite, fly, Guggenheim, Guide to What's Good, Jim Holt, Q & A, Readings, robyn hillman-harrigan, Stop me if you've heard this, Tenement museum, the l-word. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.