Acoustic Cash last night was quite beautiful. It was held in this warm small theater inside the Rubin Museum of Himalayan Art. Roseanne was classy and sardonic, saying things like, “I liked the Rubin better when it was a Barneys.” Tongue in cheek of course, because the Rubin really is a cool space, forever in reference to Buddhist thought, the floors spiral upwards towards a stunning glass dome.The theme of Roseanne Cash’s musical interview with Joe Henry was Impermanence. They played songs which related to the Buddhist concept that nothing is permanent except for the self. Clinging to that which is fleeting, (almost everything) is what causes human suffering. Roseanne played some of her father’s songs and Joe managed to charm the audience with his twinkly smile, constant tuning, and that confidence that comes with knowing you are really good at something. Most of the people there were middle aged straight women, with husbands in tow. He sang a song called Flag and talked about how Americans resist letting go of dead ideas, such as bankrupt nationalism. Quickly, he added something about how in the new Obama-America maybe some of those beliefs can be rekindled.
America sees itself as a constant-a self, so to speak. Can it be permanent?
The night ended with a Tupelo Honey/ People Get Ready duet and then, yes, a sing-along to The Times They are a Changing! (ha ha)
Just a quick note about Michelle Tea and San Fransisco: I am reading Valencia and although it takes place in the 90s, I can’t help but wonder if San Fran is really that cool? What do you think, how does it stand up against Brooklyn (ok NYC)?
I’m off to see Dr Atomic at the Metropolitan Opera, will report back later today.